dc.contributor.author |
Meyer-Clement, Elena |
|
dc.date.accessioned |
2018-04-03T09:45:33Z |
|
dc.date.available |
2018-04-03T09:45:33Z |
|
dc.date.issued |
2017 |
|
dc.identifier.issn |
1477-2833 |
|
dc.identifier.uri |
http://hdl.handle.net/10900/81229 |
|
dc.language.iso |
en |
de_DE |
dc.publisher |
Routledge Journals |
de_DE |
dc.relation.uri |
http://dx.doi.org/10.1080/10286632.2015.1068764 |
de_DE |
dc.rights |
info:eu-repo/semantics/closedAccess |
|
dc.subject.ddc |
300 |
de_DE |
dc.title |
The evolution of Chinese film policy: how to adapt an instrument for hegemonic rule to commercialisation |
de_DE |
dc.type |
Article |
de_DE |
utue.quellen.id |
20170815222223_02211 |
|
utue.publikation.seiten |
415-432 |
de_DE |
utue.personen.roh |
Meyer-Clement, Elena |
|
dcterms.isPartOf.ZSTitelID |
International Journal of Cultural Policy |
de_DE |
dcterms.isPartOf.ZS-Issue |
4 |
de_DE |
dcterms.isPartOf.ZS-Volume |
23 |
de_DE |
utue.fakultaet |
05 Philosophische Fakultät |
de_DE |