Work, specimen, witness: How different perspectives on museum objects alter the way they are perceived and the values attributed to them

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URI: http://hdl.handle.net/10900/66016
http://nbn-resolving.de/urn:nbn:de:bsz:21-dspace-660166
http://dx.doi.org/10.15496/publikation-7436
Dokumentart: Aufsatz
Date: 2015
Source: Museum&Society 13/3 (2015), S. 396-412
Language: English
Faculty: 6 Wirtschafts- und Sozialwissenschaftliche Fakultät
6 Wirtschafts- und Sozialwissenschaftliche Fakultät
Department: Empirische Kulturwissenschaft
DDC Classifikation: 000 - Computer science, information and general works
Keywords: Museum , Werk , Zeuge , Ausstellung , Exemplar
Other Keywords:
Work, Specimen, Witness, Museum, Exhibition
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Abstract:

The generic term ‘museum objects’ suggests that a uniform category is involved. But museums in various disciplines have exhibited objects according to quite different rules and have assigned values to them that depend on the standards of the field of inquiry concerned: aesthetic quality, value as a historical source, as a relic or as a representative item. Over time, various display conventions have become established, which appear to us today to be natural and that assign the objects to specific stimulus values. The aim of this essay is to achieve a better understanding of these exhibition practices and discipline-specific value standards. The study aims to discover why we have become accustomed to using objects in exhibitions in different ways, and it distinguishes between three types of object: work, specimen and witness. The hypothesis here is that each of these follows its own display conventions, forms of perception and standards of value. The present essay aims to situate these three types of object – work, specimen and witness – historically and in this way to articulate the differences in status that exist between them.

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