Stereo Viewing Upsets Cinematic Continuity: Filmic Cuts Are More Salient in 3D Than in 2D Movies

dc.contributor.author	Papenmeier, Frank
dc.contributor.author	Meyerhoff, Hauke S.
dc.contributor.author	Huff, Markus
dc.date.accessioned	2025-08-26T06:31:19Z
dc.date.available	2025-08-26T06:31:19Z
dc.date.issued	2024
dc.identifier.issn	1931-3896
dc.identifier.uri	http://hdl.handle.net/10900/169497
dc.language.iso	en	de_DE
dc.publisher	Washington : Educational Publishing Foundation - American Psychological Assoc	de_DE
dc.relation.uri	http://dx.doi.org/10.1037/aca0000476	de_DE
dc.subject.ddc	150	de_DE
dc.subject.ddc	300	de_DE
dc.title	Stereo Viewing Upsets Cinematic Continuity: Filmic Cuts Are More Salient in 3D Than in 2D Movies	de_DE
dc.type	Article	de_DE
utue.quellen.id	20250203000000_05736
utue.publikation.seiten	607-616	de_DE
utue.personen.roh	Papenmeier, Frank
utue.personen.roh	Meyerhoff, Hauke S.
utue.personen.roh	Hecht, Heiko
utue.personen.roh	Huff, Markus
dcterms.isPartOf.ZSTitelID	Psychology of Aesthetics Creativity and The Arts	de_DE
dcterms.isPartOf.ZS-Issue	4	de_DE
dcterms.isPartOf.ZS-Volume	18	de_DE
utue.fakultaet	07 Mathematisch-Naturwissenschaftliche Fakultät	de_DE