dc.contributor.author |
Kirsner, Inge |
de_DE |
dc.date.accessioned |
2023-05-07T18:34:57Z |
|
dc.date.available |
2023-05-07T18:34:57Z |
|
dc.date.issued |
2013 |
de_DE |
dc.identifier.uri |
http://hdl.handle.net/10900/140707 |
|
dc.identifier.uri |
http://dx.doi.org/10.15496/publikation-82054 |
|
dc.language.iso |
de |
|
dc.relation.uri |
https://doi.org/10.14315/prth-2013-48-3-186 |
de_DE |
dc.title |
The Artist is present : oder : was Abramovic mit Filmen im Religionsunterricht zu tun haben könnte |
de_DE |
dc.type |
Article |
de_DE |
utue.personen.pnd |
Kirsner, Inge/17427548X |
de_DE |
utue.publikation.seiten |
186-187 |
de_DE |
utue.personen.roh |
Kirsner, Inge |
de_DE |
dcterms.isPartOf.ZSTitelID |
Praktische Theologie - Berlin : de Gruyter, 1966 |
de_DE |
dcterms.isPartOf.ZS-Issue |
3 |
de_DE |
dcterms.isPartOf.ZS-Volume |
volume:48 |
de_DE |
utue.artikel.ppn |
1837290016 |
de_DE |